BFI - British Film Institute, or Bad Film Ideas?

Written by Colin on September 3, 2008 – 5:06 pm -

logo bfi 1 To celebrate the 75th birthday of the BFI Southbank, the British Film Institute asked 75 celebrities (some you may have heard of, the rest appear to be fillers) for their favourite film.

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Posted in film fun, news | 6 Comments »

The Wind That Shakes The Barley (2006)

Written by James on June 15, 2008 – 4:23 pm -

thumb_barley2 The Wind That Shakes The Barley (2006) Striking back against the Empire

Ken Loach’s controversial, Palme d’Or-winning study of Republicans v the Brits in 1920s Ireland raised the hackles of several well-known UK critics (who, customarily, didn’t feel the need to actually see the film) as well as Irish commentators. It’s normally a sign that an artist has got something right when he angers both sides of a debate and claims of bias seem moot when a film comprises such lyrical beauty, steadfast portrayals and a marvellous, articulate script.

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Posted in british, character study, history, war | No Comments »

This Is England (2006)

Written by James on February 25, 2008 – 12:04 pm -

this is england1 1Angry young boy
Young writer-director Shane Meadows is fast making a name for himself as a social commentator in the mould of Ken Loach – his films, such as Dead Man’s Shoes (2004) Once Upon a Time in the Midlands (2002) and A Room for Romeo Brass (1999) are uncompromising and unforgiving, but have a solid respect for audiences who want to be entertained, rather than preached to. Read more »


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Posted in british, social drama | 2 Comments »

Immigrant workers - Ken’s take

Written by James on January 16, 2008 – 10:38 am -

Ken Loach Picturenose’s James Drew had the opportunity for a brief chat with director Ken Loach on his recent visit to Brussels, as his hard-hitting indictment on the realities of life for immigrant workers in the UK, It’s A Free World… arrives in Belgium.

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It’s A Free World…(2006)

Written by James on January 15, 2008 – 1:39 pm -

It  s a Free World Sobering slant on exploiters and exploited

Long-recognised, from writing Cathy Come Home (1966) onwards, as one of the most uncompromising directors around when it comes to educating audiences about social injustices, Ken Loach has never succumbed to the siren call of Hollywood, and it’s virtually impossible to imagine his particular brand of British socialist realism translating well to that context.

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