Picturenose

Sobering slant on exploiters and exploited

Long-recognised, from writing Cathy Come Home (1966) onwards, as one of the most uncompromising directors around when it comes to educating audiences about social injustices, Ken Loach has never succumbed to the siren call of Hollywood, and it’s virtually impossible to imagine his particular brand of British socialist realism translating well to that context.

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