Picturenose

Butcher’s hands, gentle souls

Feeling slightly guilty about tearing into Steven Spielberg’s latest, Indiana Jones and the Kingdom of the Crystal Skull (not because I’ve changed my mind but because normally I love Spielberg’s work, it being one of the reasons why it’s great to critique film), it seemed an appropriate time to go back to his previous, Munich, a troubling work from a director (just about) at the top of his game.

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